
For most of my adult life, I sat in rooms where women described their faith in sensory terms I simply didn't have access to. They talked about feeling God's presence physically — a warmth, a certainty, sometimes a literal voice they heard in a moment of decision. They described worship services that left them in tears, prayers that produced goosebumps, moments of such overwhelming spiritual clarity that they knew, without doubt, they'd encountered something real.
I never had any of that. Not once, not in twenty years of genuinely trying. And for most of that time, I quietly assumed this meant something was wrong with me — that my faith was somehow thinner, less legitimate, less real than the faith of women who could describe an experience I'd never once had.
This is a strange thing to admit publicly, because faith communities, for all their genuine warmth, aren't always great at making room for a person whose relationship with God is quiet rather than dramatic. There's an unspoken hierarchy in a lot of religious spaces where the loudest testimony — the most dramatic conversion story, the most vivid encounter, the most emotionally overwhelming worship experience — gets treated as the gold standard, and everyone else quietly wonders if they're doing it wrong.
I spent years in that quiet wondering. I showed up. I prayed. I read scripture, sometimes with real discipline, sometimes in fits and starts like anyone else. And I felt, by the metrics everyone around me seemed to be using, essentially nothing. No goosebumps. No voice. No moment of undeniable certainty. Just the ordinary texture of an ordinary life, with faith woven through it in a way I couldn't point to and say, "there, that's the proof."
"I had been measuring my faith by a sensation I'd never once had, as if the absence of goosebumps meant the absence of God, rather than simply meaning I experience things differently than the woman sitting next to me."
Eventually, in my late thirties, I asked an older woman in my church — someone whose faith I genuinely admired, and who I assumed had the sensory experiences I'd never had — whether she felt God the way people described. Whether there was a warmth, a voice, a certainty. She looked at me for a long moment and said something that rearranged twenty years of quiet shame in about four sentences: she said she'd never had that either. That she'd spent her twenties assuming the same thing I had, that something in her was too closed off, too rational, too broken to access the faith everyone else seemed to be describing so easily.
What changed for her, she said, wasn't that she eventually had the dramatic experience. It was that she stopped believing the dramatic experience was the actual point.
Here's the reframe that took me years to arrive at, and that I wish someone had handed me decades earlier: the sensory, goosebump version of faith that gets described so often isn't the only legitimate form faith takes, and it may not even be the most common one. It's simply the most describable one, which means it's the version that gets told as a story, repeated in testimonies, held up as an example — not because it's more real, but because it's more narratable. A quiet, undramatic, decades-long faithfulness doesn't make for a compelling five-minute testimony. It doesn't mean it isn't real. It often means the opposite.
I think now that what I actually had, the whole time, wasn't an absence of faith. It was a form of faith that doesn't announce itself — the kind that shows up as simply continuing to show up, praying without a physical sensation attached, trusting something you can't point to evidence for in the moment, staying faithful to a practice specifically because it doesn't reward you with a feeling every time. In some ways, I've come to suspect that this quieter form asks more of a person than the dramatic version does, precisely because it isn't reinforced by sensation. You do it because you've decided it's true, not because it feels true in your body at that moment.
I want to say something that might be unpopular in some circles: I've come to suspect that faith built primarily on feeling — the goosebumps, the emotional high of a worship service, the felt certainty — can be more fragile than the quiet kind, not less. If your faith is anchored to a sensation, what happens on the days, months, or years where the sensation doesn't show up? I've watched women whose entire spiritual life was built on feeling God's presence go through genuine crises of faith the moment the feeling disappeared during a hard season, as if the absence of sensation meant the absence of God, rather than simply meaning they were in a hard season.
The quiet kind of faith, the kind that was never dependent on feeling anything in particular, doesn't have that same collapse point, because it was never built on the feeling to begin with.
For me, this has meant releasing the expectation that prayer should produce a sensation, and treating the discipline itself — showing up, being honest, staying in relationship with something larger than myself — as the actual practice, rather than a warm-up act for the real spiritual experience I kept waiting for.
This isn't an argument against emotional worship experiences, which are real and meaningful for the women who have them. It's an argument against treating that specific kind of experience as the required proof of a legitimate faith, when it's simply one form faith can take among several.
If you've spent years quietly assuming something is wrong with your faith because you've never had the goosebumps, the voice, the undeniable moment — I want to tell you what took me two decades to learn: you may not be doing it wrong. You may simply be one of the many women whose faith takes the quieter, less narratable shape, the kind that looks like showing up on the ordinary Tuesdays with nothing to show for it but the fact that you kept showing up.
That's not a lesser faith. In my experience, it might be the sturdier one.
I still don't have the goosebumps. I've made peace with that. What I have instead is twenty years of quiet, undramatic continuation — the kind that doesn't make for a dramatic testimony, but that I've come to trust more than I ever trusted the search for a feeling I was never going to have.
It's worth understanding where this hierarchy actually comes from, because I don't think it's arbitrary. Revivalist traditions, testimony culture, and a media landscape that rewards dramatic, shareable stories have all quietly trained us to expect faith to be legible and demonstrable in a specific format: the before-and-after conversion story, the dramatic answered prayer, the emotionally overwhelming worship encounter. These stories travel well. They fit neatly into a five-minute testimony slot, a social media caption, a sermon illustration. A woman's quiet, undramatic four decades of simply showing up doesn't fit that format, so it rarely gets told, which creates the illusion that it's rare, when I suspect it's actually the majority experience, simply an invisible one.
Older contemplative traditions within Christianity — the desert fathers, later mystics, entire monastic lineages built around silence and repetition rather than dramatic encounter — had an entirely different framework for this than what dominates a lot of contemporary faith culture. Many of them wrote explicitly about "spiritual dryness" as a normal, even necessary, phase of a mature faith life, not a sign of failure or distance from God. Some went further and suggested that the dry, feeling-less periods were where the deepest formation actually happened, precisely because a person's faithfulness in those periods couldn't be attributed to the reward of a good feeling. It had to come from somewhere else entirely — from decision, not sensation.
I find this enormously validating, decades late. An entire serious tradition within the faith I grew up in had already worked out that the quiet, feeling-less version wasn't a lesser form of devotion. It may have understood something about spiritual maturity that a testimony-driven, feeling-centered modern faith culture has quietly lost.
I've started being much more careful about the language I use around faith with my own children, precisely because of the decades I spent measuring myself against a sensation I never had. I don't want them to grow up believing that the absence of a feeling means the absence of God. I try to talk about faith in terms of decisions and practices rather than sensations — the decision to pray even when it doesn't produce anything noticeable, the practice of showing up to church even on the mornings that feel entirely ordinary, the discipline of believing something is true even when it isn't currently being confirmed by an emotional experience.
I don't know yet whether this framing will spare them the two decades of quiet shame it took me to work through. But I suspect that simply naming the quiet version as legitimate — out loud, early, before the shame has time to calcify — might do more than any single sermon or worship experience ever could.
If any of this resonates, here's the one shift I'd suggest: for one month, stop asking yourself whether you felt anything during prayer or worship, and start asking only whether you showed up and were honest. Track that instead. Most women who try this report a strange kind of relief — not because the feelings suddenly arrive, but because they stop being the metric being measured, and a truer, steadier metric takes their place.
If you take nothing else from this, take this: the loudest testimony in the room is not evidence of the deepest faith. It's evidence of the most narratable experience. Somewhere in every congregation is a woman who has shown up quietly for thirty years, felt nothing dramatic in any of them, and built a faith sturdier than half the goosebump stories being told from the stage. If that woman is you, I'd like you to know that I see you, and that the quiet is not the absence of God. It might just be what God sounds like when He isn't performing for an audience.